La Recette du Jour

French Country Kitchen is very similar in approach to Jenny Baker’s Simple French Cuisine. I was given Jenny Baker’s book around the time we bought our holiday house in the Languedoc, so I kept it here to provide inspiration. We had a very rudimentary kitchen then, so it was useful having a book of delicious recipes using local ingredients and requiring no fancy equipment. I tend not to pick it up much now; it may soon make an appearance in this neglected cookbook series!

Like Jenny Baker, Geraldene Holt is a British woman who came to southern France, fell in love with it, and being a keen cook, collected traditional recipes from friends and neighbours. I picked up a second-hand copy of French Country Kitchen recently; it’s out of print, so it can be bought for pennies on Amazon. I love the fact that the Internet has made it so easy to find out-of-print books.

This book is organised by ingredients — there’s a chapter on mushrooms for example, one on olives, one on chestnuts, almonds, and walnuts, more conventional ones on poultry and beef, and a whole chapter on the pig, covering every part of it of course., including making brawn and your own sausages.

I’m not a great meat-eater, so I decided to try the recipe for endive belge étuvée aux champignons, or braised chicory with mushrooms. Chicory is something I only discovered when I came to France, and I love its bitter flavour. The result was delicious and makes a change from our usual ways of cooking chicory (wrapped in ham and covered in cheese sauce, or braised with chicken). If you’re vegetarian you could leave the bacon out, although it does add an essential saltiness and a touch of fat to cut the bitterness of the chicory. I might add a splash of soy sauce if I left out the bacon.

The recipe specifies cultivated mushrooms, and that’s what I used. But I reckon it would be even better with wild ones — cèpes or chanterelles. If you’re making a vegetarian version I would recommend the tastiest mushrooms you can find. As fresh tomatoes are banned in our house from October to May, I used a spoonful of sun-dried tomato paste instead of the tomato, which turned out to be an excellent idea.

I like the homely approach of this book, and like the Jenny Baker book it is an excellent choice to take on holiday to France with you, if you like cooking and buying produce at French markets.
Recipe for French Country Kitchen, by Geraldene Holt: braised chicory with mushrooms »

I’m continuing my trawl through the reserve collection.This claims to be a “vegetarian” cookbook, although a few of the recipes include fish or shellfish. It is definitely not the 70s/early 80s style of vegetarian cooking with lots of wholewheat stodge and mushy lentils. Like Nadine Abensur’s, Annie Bell’s dishes are creative and elegant, letting the flavours of fresh vegetables shine. This book is clearly geared towards entertaining, as it’s organised as a series of seasonal menus, most involving five or six dishes.

Not that this is a criticism. Her philosophy of vegetarian cooking is that rather than having a “main” ingredient (a chunk of protein) and some side dishes, a meal can be composed of a harmonious selection of smaller dishes. It’s a philosophy I like, even though it’s more work, so is likely to happen only on special occasions.

I haven’t cooked any complete menu from this book, but I have bookmarked a number of recipes. Actually, in true neglected cookbook style I hadn’t cooked anything at all from it till today, when I decided to try the cardamom rice with prunes.

Rice pudding and stewed prunes … hmm, sounds like British canteen fare. Happily, it is not. I’ve always liked rice pudding, although I do normally prefer to eat it hot, with jam or maple syrup. The cardamom makes this version decidedly un-English. The prunes are not an unappetising brown mush, but whole pruneaux d’Agen simmered in an Armagnac-laced syrup with cinnamon and vanilla. If I’d done the whole menu, I would also have served spaghetti marrow and vermicelli with watercress cream, cannelloni omelettes filled with spinach and gruyère, with a tomato sauce aux fines herbes, and a green salad with avocado and toasted walnuts. You can tell she used to run a restaurant.

Anyway, here’s my version of the rice. It turned out a bit runny, and over-sweet to my taste, so I’ve adjusted the quantities slightly to reflect this. It was very nice cold, with the prunes making an attractive colour contrast. And of course it can all be prepared hours in advance — fortunately, since the rest of the menu seems to involve an awful lot of last-minute frying, pasta cooking, and salad dressing. The recipe seems long, but really it’s very simple and not time-consuming. I’ll definitely keep this book because even if the complete menus are too much work there are a lot of small, stylish dishes. It’s out of print — so if you want to give it a try you can buy it for a penny on Amazon!
Recipe for A Feast of Flavours by Annie Bell: cookbook review and recipe »

Living in the back of beyond in rural France means that you have a Michelin 3-star restaurant within 30 minutes’ drive. But not along broad, straight roads. Nope, get ready to thread your way along narrow, winding roads through classic Corbières scenery: gorges with streaks of pale rock interspersed with the deep green of holm oak, Aleppo pines and broom. Lower down, the gnarled fingers of pruned vines grasp at empty air. Be ready to pull over at the narrow bridges if you see something coming the other way. As you get nearer the restaurant, the reassuring signs are more numerous: yes, it really is up this hill, round this bend, through this gorge. You imagine the Japanese tourists who have vowed to point-score every 3-star restaurant in France thinking, “But it can’t be up here!” Later I laughed at a Trip Advisor review claiming that you need to be a rally driver to get there. No, these are normal back-country roads that locals drive along every day to get to work.

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You arrive in the village and find the gates, decorated with giant metal fish skeletons and tongue-in-cheek sardine-can lids rolled back around their keys. Hmm, somehow the style of this metalwork looks familiar, and inside we recognise the work of Robert Cros, a sculptor from a neighbouring village: giant bent nails, catapults, light-switches with correspondingly giant price tags. The restaurant has got bigger since we were last there 10 years ago, gobbling up the eponymous well that used to stand in the courtyard, now under glass in the bar area. Another TripAdvisor laugh: a Parisian, after slagging off the food, appears to claim that “quelconque” villages in the Aude populated only by peasants and with inadequate car parks shouldn’t be allowed to have smart restaurants; they should be in a place that is more “historique et exceptionnel”. Paris, presumably.
Recipe for L’Auberge du Vieux Puits, Fontjoncouse: restaurant review »

I made my mincemeat this year according to Delia’s recipe, adapted to local circumstances (mine included chopped dried figs and apricots, and dried cranberries, as well as glacé cherries, raisins and sultanas). I used most of the first jar to make some common-or-garden mince pies, but was not satisfied with the results, so I hunted around for alternatives. Here are three other ways of using mincemeat.

1. The simplest: mincemeat palmiers

Buy a block of ready-made puff pastry and roll it out thinly into an oblong. Spread thinly all over with mincemeat, then starting from a short side, roll up the pastry like a Swiss roll. Cut into slices about 2 cm thick, and lay them on a non-stick baking tray (or a tray lined with silicone/baking parchment). Put in the fridge for half an hour or so.

Preheat the oven to 200C. Put the tray in and cook for about 10 minutes, till the pastry is golden. Remove and cool to lukewarm before sprinkling with icing sugar and serving. This is a great and easy alternative to conventional mince pies.

2. Classic and luxurious: almond paste mince pies

I used this recipe; I don’t know why it’s called “almond paste” because there are no almonds in it, only almond essence. I was very pleased with these; the pastry was crisp and golden, and the “almond” paste makes for a lighter topping than pastry. Delicious. I didn’t have a piping bag so I just rolled the paste into small balls, flattened them and placed them on top of the mincemeat. So they looked a lot less elegant, but still tasted good. If, or rather when, I make these again, I’ll substitute ground almonds for some of the flour in the paste though!

3. Comfort food: Eliza Acton’s mincemeat pudding

I loved this; it was my favourite of the three, although it’s a pudding rather than a teatime treat. I’d happily eat it instead of Christmas pudding. It’s basically bread and butter pudding with mincemeat in it. I found the recipe in Elizabeth David’s Christmas; the original is from Eliza Acton‘s Modern Cookery, and is labelled “Author’s Receipt”.
Recipe for Three good things to do with mincemeat »

I first discovered frittata via the Cottage Smallholder site. I often cook one from scratch for a quick supper or picnic lunch, but it is a wonderful vehicle for turning leftovers into something delicious in their own right — providing of course that you are selective about what you put in it. Just throwing in the contents of the fridge without regard to whether the flavours and textures are complementary is not going to give you a good result.

Normally, I cook frittata slowly in a frying pan and finish it off with a couple of minutes under the grill to set the top. This time, I had some left-over roasted vegetables to use up, and was inspired to do it differently. It’s a very quick and easy dish if you have left-over roasted veg, but of course you can cook them from scratch. I always do plenty when I roast vegetables, because they are one of the best kinds of left-overs you can have. Toss them into a salad with rice, pasta, or Ebly and some toasted nuts, blend with some home-made stock and spices and make a delicious soup, use them to fill quiches or omelettes …
Recipe for Oven-baked frittata »

An Elizabeth David book in the reserve collection? Yes, really! This was a Christmas present a few years ago, and I confess I’d forgotten I had it, so I pounced on it with a cry of delight. It was actually published posthumously; in her preface her editor Jill Norman says they’d discussed the concept off and on for years, but it never came to anything, so after Elizabeth’s death she was surprised to find a box with a pile of notes and clippings for the book, and even an introduction. So she pulled the material together and published it.

Many of the recipes are from ED’s other books, but it’s nice to have all these seasonal recipes in one place. Not that ED was much of a fan of the traditional British Christmas. She got bombarded with calls from friends and family asking how long to to cook the turkey or the pudding, or saying they’d lost the recipe for Cumberland sauce so could she give it them again — to the point where she printed a pamphlet of the most popular recipes and handed it out to them. Classic ED:

If I had my way — and I shan’t — my Christmas Day eating and drinking would consist of an omelette and cold ham and a nice bottle of wine at lunchtime, and a smoked salmon sandwich with a glass of champagne on a tray in bed in the evening.

What frenetic cook preparing for a family Christmas can’t empathise with that in the days leading up to “the Great Too Long”? It certainly makes a refreshing change from other Christmas cookbooks.

That being said, although there are token recipes for traditional Christmas food like mincemeat and Christmas pudding, much of the focus of this book is on simple but impressive small dishes that can be prepared ahead, pâtés and terrines that can be kept in the fridge for nibbling, and better-than-average ways of using leftovers (including one of my all-time favourite leftover dishes, émincé de volaille au fromage). And like all of ED’s books it is designed to be read for pleasure, not just to cook from. I happily spent an afternoon lounging on the sofa by the fire reading it while my untended bread dough bubbled over the edge of the pan.

Happily, the organic veg box provided all I needed for a simple soup of tomato, leek and celery. She writes “This is one of the most subtly flavoured of all these vegetable soups … a good soup with which to start the Christmas dinner.” It was indeed. Celery is something I don’t like as a vegetable, but as a herb it adds a nice peppery edge to soups and stews. My tail-end-of-season tomatoes weren’t the best, but they did the job — if I make it again at Christmas I’ll use tinned ones in preference to tasteless fresh ones (one day I’m going to start a campaign to ban the sale of fresh tomatoes between October and May).

Unfortunately, the box also contained parsnips, for the third week in a row. So I decided to give her cream of parsnips and ginger with eggs a go. I got as far as cooking and mouli-ing the parsnips and adding the ginger, and the result tasted so unutterably foul that I almost threw it straight in the bin. We just had soup and cheese and biscuits that evening. I don’t think I can blame Elizabeth David for this though — I just don’t like parsnips, and somehow mashing them makes them taste more parsnippy than just roasting would.

This book will definitely stay in my collection. And it’s a good Christmas gift for foodies as well, a reminder of how truly good food writing is impervious to fashion. So much so that the modish soft-focus photos that the publishers obviously felt had to be in any modern cookbook are entirely superfluous. Elizabeth David’s words are enough
Recipe for Elizabeth David’s Christmas: potato, tomato and celery soup »

The result of googling to find a way of using up the rather flat Guinness left over from making the Christmas pudding. Yes, I could have drunk it, but that wouldn’t have been enterprising enough. Anyway, my search threw up at least a dozen variations of this ginger cake, all based on an original from the Gramercy Tavern, whatever that is. Since I like ginger cake and I had all of the ingredients except molasses, the decision was made.

But first, the usual trip to Diana’s Desserts to convert all those dratted American cup measurements. I started out with the version of the recipe at Smitten Kitchen, then reeled in horror when I found that my conversions resulted in 220 g of flour and 650 g of sugar. Beurkh, as we say in France. “No wonder Americans are so fat,” I ungraciously muttered. I bet Deb isn’t fat at all. Although I have tangled with an over-sweet cake recipe from Smitten Kitchen before.

Anyway, one of the comments on the Smitten Kitchen post led me to Epicurious where there was a version of the recipe posted by its originator, Claudia Fleming. For the same amount of flour and eggs, half as much sugar. Phew.

Taking due note of the many comments about spending half an hour scraping caramelised batter off the oven floor, I was slightly nervous as I poured the alarmingly liquid batter into the tin. It was more like pancake batter than cake mixture. Even though the batter was well below the top of the tin, I took the precaution of putting it on a baking tray to ease cleanup. But in fact it was fine and cooked in the time advertised. The cake turns out very moist with a rather coarse crumb, and — dare I say it — it could have been a little bit sweeter. Don’t stint on the spices, it needs them. I also have a sneaking feeling that some sliced pears arranged in the bottom of the tin to make an upside-down cake could be rather good, in which case you could skip the icing. Or you could serve it with vanilla or cinnamon ice cream.
Recipe for Ginger stout cake »

I bookmarked Jacqueline’s bookmarked recipe challenge, originally started by Ruth, a couple of weeks ago. I have tons of bookmarked recipes: a long list in my browser bookmarks, a few more stashed in Evernote, a box full of magazine and newspaper clippings, cookbooks bristling with Post-Its and bookdarts. Where to start?

Well, my recent browse through Margaret Costa’s Four Seasons Cookbook provided inspiration in the form of tomato and pepper chutney, now maturing nicely in the larder. There’s something very satisfying about starting out with a pan full of chopped vegetables, reeking of vinegar, and finishing with these glowing jars of glossy red chutney, and it kickstarted me into more preserving. After a quick detour into Delia’s famous mincemeat, which I’ve had a printout of for ages and never made, I was prompted by the Cottage Smallholder site, fount of all knowledge about preserving, to make some sweet chilli jam using a recipe from the BBC Good Food site, a frequent source of bookmarked recipes. I love chilli jam and jelly — they make a lovely relish for cheesy and eggy things, and I’m also partial to them with scallops. I bet both jam and chutney will go very nicely with turkey too.

This is my version of the chilli jam recipe. I found the original rather imprecise in some ways. For example, it gives weights for some ingredients but then just specifies “8 red peppers”. Mine were huge, at least double the normal size, so I used four. Then it says “10 red chillies”, without any qualification — a little dangerous in my view. Throw in 10 Scotch Bonnet chillies with their seeds and the jam will blow your head off. I did like one comment on the BBC site which queried the “finger-sized piece of ginger” because “I have big hands”! As always, nothing beats tasting and adjusting as you go.
Recipe for Bookmarked recipes: Chilli jam »

Margaret Costa’s Four Seasons Cookery Book has always lived in the reserve collection. I honestly don’t know why. Nigel Slater himself says: ‘If I had to choose only one book to cook from for the rest of my life it would be this one.’ Picking it up and starting to read, I instantly saw that she and I were of the same mind. The preface begins:

Professional chefs are notoriously bad at giving recipes for domestic kitchens. They are unable to think in small quantities for a start, they are maddeningly vague about times and temperatures, they use words which create total, unreasoning panic in the mind of the ordinary cook: déglacer, dégorger, tomber, revenir, beurre manié — no wonder we lose our heads.

Even the words we think we recognise — blend, beat, sieve — all mean something different to them because they use different equipment. And then they are used to having things to hand. “Garnish with truffles,” they cry, “cook in clarified butter, stuff with a duxelles, finish with a spoonful of hollandaise.” “The sauce? Oh, just a simple jus lié with the addition of a little demi-glace.”

She sums up everything I don’t like about 99% of cookbooks by professional chefs (the Roux brothers are a very honourable exception). And she was married to a chef! I like her introduction to the canapé section too:

Just listen to the next big party you go to: a party where there are enough nice little things to eat has a warm, contented sound, a sort of purr, quite different from the harsh, strident noise where there’s nothing but alcohol and cigarette smoke.

I’d love to go to a party catered by her; her “nice little things to eat” are all mouth-watering, and most are easy to do.

It’s a wide-ranging book, organised roughly by season (some dishes can be cooked all the year round though) — and within each season by theme. So Winter for example includes chapters like Christmas Classics, Party Pieces, Comforting Breakfasts, Winter Soups, Cooking with Wine (a sign of the 1970s that you had to have a special chapter for this!), Proper Puddings, Marmalade … Costa is from the same school as Jane Grigson: erudition worn lightly, with unpretentious yet elegant and classic dishes covering the whole range from dinner parties through everyday meals to preserves and bread baking. Perhaps part of the reason I don’t use this book more is precisely because Jane Grigson is my first port of call when I’m looking for this type of book.

Again like those traditional writers (Grigson, Elizabeth David, Patience Grey) this is a book you can read for sheer pleasure, even if you don’t cook a thing from it. The party pieces, the “proper puddings”, and the preserving chapters are the highlight of the book for me. So this post isn’t exactly a vintage feast, just a sampling of a couple of items from the book (which now sprouts a forest of bookdarts heralding future cooking sessions).

I have never cooked chutney in my life, apart from a brief and fairly successful flirtation with mango chutney. This is possibly due to traumatic memories of a house reeking of vinegar from top to bottom when my mother was engaged in her annual days-long chutney-making session, during which the rest of the family would move out to the garden for the duration. So it’s perhaps surprising that the first recipe I chose from here was the tomato and red pepper chutney, from the very comprehensive preserving chapter. Partly because I bought a big bag of peppers from the market for 3 euros, partly inspired by the chutney-making fervour displayed at the Cottage Smallholder forum.

Costa doesn’t weigh you down with instructions — she just tells you to mince or chop everything up, put it in a pan with the vinegar, sugar, and spices, and “simmer till thick”. The suggested 2 hours’ simmering stretched to 5 hours; I think my simmer must have been too low. But it did eventually acquire a jammy consistency, and I decided this was good enough. Into the jars it went, looking very convincingly like chutney. Verdict in a month or so, when it’s matured! Meanwhile, all the windows are open to eliminate the vinegar smell.

While that was bubbling away, I made some Belgian bun cake, because I’d made some lemon curd a couple of days ago. This is basically a rich brioche dough, spread with lemon curd and sprinkled with candied peel and currants, rolled up and baked. It turns out like a lemony panettone, best eaten while still slightly warm and fragrant from the oven. Delicious, and I already have plans for a very luxurious bread and butter pudding with part of it.

I won’t give the recipe for the chutney here, because I’m waiting to see how it turns out. But here’s my version of the Belgian brioche.
Recipe for Margaret Costa’s Four Seasons Cookery Book »

Following my last post about neglected cookbooks, I’m feeling a bit daunted by my reserve collection — I’ve just counted them, and there are 70 of them! I wouldn’t say Jane Grigson’s Vegetable Book is “neglected” exactly — it sits on the living room shelves, not in the reserve collection — but it tends to only get pulled out when I need ideas for the contents of the weekly organic veggie box. Also I think it has been overshadowed by the plethora of TV chef books like Hugh Fearnley-Whittingstall’s River Cottage Veg Every Day. While I’m sure they are excellent, Jane Grigson has stood the test of time and her books are still true classics. As I’m fond of repeating, she is a calm and reassuring kitchen companion whose recipes have the air of trusted family favourites. Most of them are not fancy, they rarely use exotic, hard-to-find, expensive ingredients, and they are generally easy to do. Jane isn’t really the place to go for exotic; most of her recipes are European, with particular emphasis on French and British cooking, along with a few Middle Eastern recipes.

The reason I got the book out today is because there were parsnips in my veggie box. I’m not a great fan of parsnips, and happily they are rarely seen in France. They are considered to be pig food, so you don’t see them in shops, and when you do they are referred to as légumes oubliés, with the implication that they are best forgotten. But I suddenly remembered Jane Grigson’s curried parsnip soup, which was all the rage in the 1970s. I haven’t cooked it for literally decades, but it is well worth reviving. Even parsnip-haters like me like it.

This book is ideal if you have a vegetable box delivered, or you grow your own, because it’s organised by vegetable, in alphabetical order from artichokes to yams. Simply flip it open to the one you’re having difficulty using up. Each chapter starts with a pretty line drawing of the vegetable in question (no fancy photos, this was the 1970s!) and a short discussion of its provenance, history and use. There are so many interesting snippets of information here, although parsnips were evidently a challenge to make interesting, since we learn here that Boris Pasternak’s name means “parsnip”.

Then there’s a “How to choose and prepare” section that gives general advice. And finally a selection of recipes. The parsnip chapter is one of the more limited chapters — buttered parsnips, creamed parsnips, the famous soup, a couple of gratins, and a soufflé — but for more versatile vegetables you are spoilt for choice. She often gives a few variations or other ideas — for example at the end of the leek chapter she suggests preparing small ones in the same way as cauliflower à la grecque, which I duly did, and very nice they were too. With all these resources, I rarely fail to find something that at least gives me an idea for a dish, even if I don’t follow her recipe exactly. It’s not a vegetarian book, but meat plays a very minor role here.

At the end, there’s an appendix, which I’d actually never looked at until today. It tells you how to prepare various classic French vegetable mixtures such as mirepoix and julienne, and also includes a whole raft of classic sauces, from the common (bechamel, mayonnaise) to the more unusual (skordalia, Balkan walnut and garlic sauce). Then there are a few recipes for stuffing, a pancake batter recipe, and, oddly, a recipe for pitta bread on the grounds that they can be stuffed with vegetables. So it really is a compendium of vegetable cookery, for anyone from a beginner to an expert, and a great companion for any frugal cook.

Her Fruit Book is arranged along the same lines and is equally wonderful, if not more so, since it includes the recipe for Best British Pudding Ever, Springfield pear cake. It’s no coincidence that reviews of Jane’s books on Amazon always include at least a couple saying “I bought this because my old copy fell apart from constant use”.
Recipe for Jane Grigson’s Vegetable Book: Curried Parsnip Soup »